Why sun, sand & sea just ain't cuttin' it anymore
Perfect beaches can be simulated. Check out Japan's Seagaia theme park with its Ocean Dome — an artificial, indoor beach with sand of crushed marble that makes it as white as ours.Here's a review.
Perfect beaches can be simulated. Check out Japan's Seagaia theme park with its Ocean Dome — an artificial, indoor beach with sand of crushed marble that makes it as white as ours.Here's a review.
In case people aren't aware, this week The Bahamas plays host to an international conference (another, yes) on tourism and sustainable development in small island developing states (SIDS). The outline of the conference is here:http://www.world-tourism.org/regional/americas/sem_bahamas/bahamas.pdfIt's an interesting conference. If you look at the outline of the conference you'll see. The first session is on vulnerability and resilience. Tourism can be good or bad; the problem is how we deal with it. The key is policy — the specific commitment of the government to make sure that the potential benefits are received.At the moment, though, we seem to be in a hurry to create a picture-perfect industry, and we are taking shortcuts. We choose to be governed by the agendas of our investors without considering the long-term, the large picture — and we forget (if we ever acknowledged) that the investor's interest is private. It is not the investor's job to make sure that the Bahamian interest is met, or that the development his project brings is sustained over time; it is the government's job. And (to go back to my initial bugbear) if the government has established an agency whose job it is to develop and manage the tourist industry, then it is that agency's job to consider the long-term and the large.But not their sole responsibility. So once again, I'm going to refer my readers to the Draft National Cultural Policy, which seeks to set out some guidelines for the role of tourism in the development or location of culture. Because we need to make sustainability a priority — and this in the face of casinos on Cat Island, Four Seasons exclusion on Exuma, and marinas and speculative second-home developments throughout our Bahamaland. Without policy, there is no sustainable tourism at all.Conference website
provides some evidence that we are not dealing with our tourist product the best way. Sharmayne says:
I [am] an African-American and spent my vacation on Paradise Island. I could not wait for some local friends or taxi came to take me away from the place. Maybe it is a paradise….for whites. For me it was slightly boring and lacked culture. I will definately not stay there again….my main reason for visiting (my eight time) is to be enveloped in Bahamian culture.
The comment is addresses this post, here.
Yes, I'm still on the topic of tourism and culture.
The reason I'm so antsy about this, Idébu (you would say passionate, and you did, and why do you have to have that pesky accent aigu in the middle of your name?) is that there is a prevailing thought Out There that tourism destroys people's cultures. It's a very old thought. It's one of the reasons that our Caribbean neighbours chose in the beginning to reject the tourist industry as a major force for their development, and it was drummed into our heads all throughout school when I was coming up. Tourism is bad for a country because it destroys the culture and turns citizens into servants. Marion Bethel, the Bahamian poet, has even written a poem about it.
But I have always fought that idea. Since they first told me that tourism destroys countries and economies and citizens, I've disagreed. Because in The Bahamas, while tourism did bring several ills, it also brought many good things too; it gave Bahamians access to cash money when all they had was credit in white people's stores; it created infrastructure when there was none, it turned our major festival, Junkanoo, into a parade with pretty costumes rather than a parade with scary costumes, and it educated many people's children.
Now I am Going Back here. The Bahamas is a global pioneer in the tourist industry; tourism in our country is almost 200 years old. Together with the Mediterranean and (strange to say) Switzerland, The Bahamas has one of the few societies whose people have been making money off the tourist dollar for far longer than the industry has had a name.
As that is the case, it is impossible to separate tourism and tourists from the Bahamian self. We have been offering hospitality not only long before we knew ourselves, but literally since the abolition of slavery. Europeans were visiting Nassau for their health and for the winter since the 1830s, and Bahamians were offering them tours of New Providence since then. Tourism on a bigger scale started in 1860 when the Royal Victoria Hotel was built, the pride of the nation, and provided Bahamian musicians and artists with a place to go and make their performances happen. Of course many of the sights have changed -- we don't have the Mermaid Lake anymore, where phosphorescence would light up the wake of the boat and the trails of the oars, and the Blue Hills are being cut down for construction purposes, and many of the homes in which those tourists stayed have been demolished or disfigured, and the Royal Victoria, that architectural wonder, burned to the ground twenty years ago. But the forts are still there, and so are the Botanical Gardens, which were opened in part to provide tourists with a sense of Bahamian flora and fauna.
Tourism even helped fund the Bahamian civil rights movement. That was in the 1950s, during the post-war nightclub era, when tourism created Bahamian performers of world class status. Freddie Munnings' Cat and the Fiddle was a meeting place not only for Bahamian civil rights activists, but for the Americans as well; through Sidney Poitier, Andrew Jackson and Martin Luther King and others met with Lynden Pindling and the pioneers of Majority Rule within the confines of that club. And the fact that Freddie Munnings was independently wealthy -- one of the richest Black Bahamians at that time -- enabled him to help fund the fight for the abolition of the colour bar that prohibited Black Bahamians from entering selected establishments.
And tourism reinstated Junkanoo and made it an arena which was right for the developments dreamed about by men like Gus Cooper and Percy Francis and Brian Gibson and Phil Cooper and Winston Rolle and others.So why is tourism now the reason that all of the above are compromised, stymied, or dead?