Marlon James on How To Make A Jamaican Music Video.It's hilarious.  Here's a taste.

Come to think of it, forget, the ghetto; you must shoot in the uberghetto. Remember that poor Jamaica is the real Jamaica. Forget high-rise buildings, Taino tribal grounds, the second oldest railroad track in the world, and the most fascinating network of underground caves in the Caribbean. You need bad roads, shit running down the side walks, zinc fences, tenements and gunmen, because this is the real Jamaica. Please have the locals stack 12 speakers together, 3 in a row and have the natives come out to wind their waists and slam dominoes on the table or your viewers will think that it’s Haiti. You must shoot in district of Waterhouse. This will be in your contract for Waterhouse is the music video ghetto of choice, probably because the quick to be violent blackies aren’t so violent there. But be sure to buy the men in mesh merinos a hot Guinness or you might not make it out of there alive. Remind yourself that if Alicia Keys can shoot there, you can too.Should you meet a gunman make sure to genuflect in the usual fashion. But feel free to pass off an offensive comment so that the Jamaican crew can never shoot in that place again. The nature of that comment is up to you but forgo the racial for Jamaican Negroes are not black. Make sure you have extra film left for the midnight dance so you can remark how bestial and sexual the natives can be while dancing. Listen as the Jamaican producer remarks that this is in keeping with our African culture, even though he or she will not do such things until after the wrap when they take you to Quad Nightclub where uptown people grind each other. Try a dance yourself but restrict it to hands, you don’t need to remind us that white people cannot dance for us to remember that we’re still safe. Because once you take our dances we’ll have nothing left! Don’t forget the smiling children.